I think Miami Vice is history's greatest show. I also think Miami Vice is history's greatest movie. The Venn diagram overlap of people who share both those opinions is pretty small.
Fewer people would argue with me if I asserted the show and the film were both somehow important. In fact, I don't think anyone who actually thought about it would argue at all. From recording in stereo to shooting on digital, Miami Vice rewrote the rules over and over again*.
Michael Mann was the show's executive producer, but he never directed an episode. And the more I watch his movie, the more I wonder if he used it as an opportunity to reshoot the scenes he felt the show got wrong.
Originally, I started writing this post thinking I'd make a laundry list of ways the movie referenced the show. But three specific beats stood out as examples of how Mann's 2006 film modernized and deepened the themes he has been exploring his whole career.
"So we can close each other's eyes right now."
In the episode "Smuggler's Blues"
In the movie at 0:37:00
The movie's plot was mostly lifted from "Smuggler's Blues." Ditto this line of dialogue. But in the show, it's a bad guy who cautions our heroes, no one will make money if everyone ends up dead.
In the movie, it's Tubbs doing the cautioning. The roles are reversed, a not-so-subtle nod to the idea that in this new world, the cops are in just as deep as the dealers.
"Your finger won't be able to twitch."
In the episode "Glades"
In the movie at 1:44:06
A bad guy is holding a hostage. He warns Crockett, "If I twitch, she's gone." Ice in his veins, Crockett replies, "Maybe you won't even twitch," and shoots him dead.
In the film, the dialogue is similar, but it's not Crockett staring down the barrel. It's Gina.
In the show, the female officers spent a lot of time typing reports and posing as a prostitutes. In the film, they're running their guns.
"There's undercover and there's which way is up."
In the episode "The Great McCarthy"
In the movie at 1:14:06
In the show, Tubbs falls hard for Vanessa, the bad guy's girl and possibly a criminal in her own right. Crockett warns him not to get involved and Tubbs asks, "Are you forgetting I'm a cop? I'm not gonna cross over the line."
Crockett replies, "I have my doubts."
In the movie, the roles are reversed. It's Crockett who starts a doomed romance and Tubbs who challenges him. In the scene, the two are walking through a shipyard. They've just had a clandestine confrontation with an FBI bureaucrat. It's night. Tempers worn thin. Crockett stops walking and turns on his partner, "You think I'm in so deep I forgot?" The two men stare each other down for a long time before Tubbs answers.
"I will never doubt you."
Crockett and Tubbs live their lives lying. The series was frequently depressing, but the movie is soaked straight through with absence. No walls, no laws, no home. Unmoored, Crockett and Tubbs trusted no one except each other.
Changing this one line changed everything.
* See articles like, "30 Years Ago: Miami Vice Ends After Changing TV Forever," "Take it to the Limit One More Time," and "Why It Took Ten Years For Michael Mann's Miami Vice To Get Its Due."
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